Authenticating the 1956 EPE Elvis Record Player
RCA’s 1956 Elvis Signature 45 RPM Phonograph 7-EP-45
The forgoing is a guide to assist the buyer of what to know and look for when purchasing these record players. The information has been derived from my own personal experience and the collective knowledge from members of the 45 RPM Phono Gazette.
Background
In 1955, RCA Victor introduced a portable, 2-tone, vinyl-covered fiberboard 45 rpm record player to augment its existing line of plastic/bakelite players. There were three versions of these “EY” series players:
All
used the RP-190 record changer with a gray tonearm & matching spindle top,
and the amplifiers were of the two or three tube type with finger wheel volume
& tone controls. Another identifying item was the round brass RCA medallion
logo located on the front top center.
In
1956, RCA offered the 7-EP-45 Elvis Signature record player, commemorating
RCA’s recording contract with Elvis, and his recording hit “Blue Suede
Shoes”. RCA also produced an Elvis multi-speed player (7-EP-2) at the same
time, which will not be discussed in this writing.
The
7-EP-45 differed from the earlier EY series as to the speaker grill cloth, color
scheme, and the Elvis Presley’s signature in gold on the top front right
corner. Also the round brass RCA medallion is absent. The case color is dark
blue with a light blue tweed lid. The interior is all white, with white volume
& tone finger wheels. The record changer color and amplifier remained the
same as the 1955 EY series.
All
these players came with a gold sticker designating the model and serial number
of the unit. (CLICK HERE TO SEE THE
STICKER) They were either placed on the lower right side corner of the tube
access panel, or on the inside back part of the lid. The tube location chart was
glued on the inside bottom of the case, so you can only see it after removing
the tube access panel and record changer board (6 oval-head Phillips brass wood
screws). The RCA script located on the front is black on the 6-EY-3A & B
models, and white on the 6-EY-3C and 7-EP-45 models. The carrying handle on the
7-EP-45 was clear plastic.
RCA
enjoyed a high volume of sales on their EY record players, while not doing as
well with the EP models. Thus, the Elvis Signature players are scarce today and
highly valued to the collector, especially the Elvis fans. In recent years, a
number of faked Elvis players have hit the market. By observation, here’s what
I’ve found:
1.
The model/serial number gold tag is missing.
2.
The Elvis Signature is bright gold and larger than the original. (CLICK
HERE TO SEE THE ORIGINAL) (CLICK HERE TO
SEE A FAKE)
3.
The color of the player is not the color combination of the 7-EP-45
version. It is usually the EY version. (CLICK
HERE TO SEE A FAKE WHICH IS BROWN) (CLICK
HERE TO SEE THE FAKE GREEN COLOR)
There
are no accounts from the RCA archives (now the Sarnoff library) of RCA Victor
producing different Elvis player color variations. If there were variations,
then a suffix A, B, C, etc. would follow the 7-EP-45 model number, as in the
earlier EY series.
Restoration
of these players can add value to them, so long as a competent technician does
it. Replacement of capacitors, resistors, tubes, and power cord, along with
rebuilding the record changer will add years of enjoyment. Make sure that you
know the restorer, and if they offer a warranty prior to purchase.